Humanity Project blog

Viral Survival

This is the fourth in a new series of blogs written for our website by Humanity Project Founder, Bob Knotts, a playwright, poet and author of the book “Beyond Me: Dissecting Ego To Find The Innate Love At Humanity’s Core.” These blogs offer a more personal perspective on the goodness and inherent value of humanity, ideas that are the foundation of the Humanity Project’s work.

I vividly remember the days and weeks after 9/11. Those memories have taught me something about coping with the current coronavirus pandemic.

I was fortunate enough to have been untouched physically by those horrific terrorist attacks, as was everyone I knew. No family member, friend or colleague of mine was killed that day. But like nearly all the people I cared about, I was wounded by the jetliners of September 11, 2001.

I mourned the senseless loss of life, felt it viscerally, deeply. This came over my body like an illness that drained and weakened me. But I also suffered greatly from fear. I was afraid, very afraid for my nation, for all of my countrymen and countrywomen and for all those I loved. And I was afraid for myself. Very afraid indeed.

And so today I think of the coronavirus as something so new it’s old. Yes, COVID-19 is the latest threat to humanity’s health, both physical and mental. This fresh strain of disease seemed to materialize as though from the clouds, suddenly raining down upon our everyday lives. But it feels disturbingly familiar too. The coronavirus has brought with it the return of that same fear. Fear not only for the American population this time but for all the people of the world and, yes, for all those I love. And, of course, fear once again for myself.

That lingering bonedeep terror comes over us whenever we endure some especially jarring trauma. Our reaction is understandable, it is human. It is the nature of our imagination. Perhaps the greatest of all humanity’s gifts turns against us at such moments — our ability to conjure detailed thoughts about things that don’t exist. We dwell on the sudden new threat, letting the possibilities simmer and bubble into a dreadful stew. This kind of dark worry, of dread, is predictable enough. We need only look to our past.

As a journalist I interviewed dozens of men and women who survived the 1941 Japanese attack on Pearl Harbor. Many recalled for me the weeks immediately afterwards, their wild fears inflamed by rumors of new enemy assaults and networks of spies stealing around Oahu. But their fears were unjustified. There were no further attacks, no vast spy networks. After 9/11, I was among those who worried obsessively: Would the terrorists hijack more planes? Would they launch car bombings? Would they poison our water supplies? Soon enough, an anthrax scare had many of us washing our hands after touching the letters in our mailbox. But all these fears came to nothing. No more hijackings, no bombings, no poisonings … and no anthrax in the mail delivered to our homes.

I recount this history for a reason. It should offer a reassuring reminder that our imaginations just now may be our biggest problem. Will I get the virus? Will I pass it to others? Will I end up in the hospital? Or worse, will I die from the coronavirus? What about the economy, our jobs, our income? And can life ever really return to normal? None of this is meant to suggest that we should be anything but extremely cautious, just as those who study pandemics suggest. Wash our hands often, of course, and use hand sanitizers. Avoid touching our face unless we know our fingers are clean. Keep a sensible six-foot or more social distance. And so on — by now, no doubt, you know all the good advice.

But we can also relieve our psychological distress to some considerable degree by remembering our previous trauma-induced fears. As so often, Mark Twain left us an observation that’s both witty and insightful: “I am an old man and have known a great many troubles, but most of them never happened,” Twain noted.

No one yet knows what COVID-19 will bring to us, individually or as a family, as a nation or as the human race. But it seems safe to say that the future for the vast majority of people is unlikely to turn out anywhere near as terrible as our thoughts. We may know our worst troubles, but for most of us they will never happen.

Jack's Car: A Story

Jack from Key West … and his remarkable car

This is the first in a new series of blogs written for our website by Humanity Project Founder, Bob Knotts, a playwright, poet and author of the book “Beyond Me: Dissecting Ego To Find The Innate Love At Humanity’s Core.” These blogs offer a more personal perspective on the goodness and inherent value of humanity, ideas that are the foundation of the Humanity Project’s work.

I’d like to introduce you to Jack. I never did catch his last name. Really didn’t matter at the time we met – to him or to me.

What did matter at the time, to him and to me, was Jack’s car. You see it in these photos I snapped earlier this month while on vacation in Key West. When I first spotted him, Jack was working intently to attach the latest additions to that extraordinary vehicle, only stopping once to scatter some food across the ground for a passel of local chickens.

As you know if you’ve ever visited in recent years, Key West is full of chickens roaming the streets and yards all around that small island. Mother hens, baby chicks as well as the many roosters that crow whenever they feel inspired, day or night. As you also likely recall if you’ve ever set foot in Key West, it’s a place full of … let’s call them local characters. Eccentric folks who are as much part of the funky laidback vibe as Mallory Square and Duval Street. The old-timers who never seem to wear more than a bathing suit and flipflops, bearded men typically standing around with a beer in one hand. The ample couples squeezed tight atop compact motor scooters that dart among the tourists. The would-be writers and artists and craftspeople who arrived temporarily in Key West long long ago but never could quite leave, most of them forced to survive on waiter tips or minimum retail wages.

So to me, Jack was just one more. Another Key West character demonstrating his independence from everyone around him – and making sure everyone noticed.

Then I decided to chat with Jack. “Quite the car you have,” I said. He replied in a thick Eastern European accent, “It’s my car … and my wife.” Or that’s what I thought he said anyway. But as we continued talking I finally understood what Jack really was struggling to express. I looked at him, puzzled now: “The car … it’s a tribute to your wife?” I asked.

“Yes,” he said, nodding. “She passed away 20 years ago.”

This most peculiar car and its most eccentric creator were much more than I’d imagined. From a distance I could easily dismiss his existence with a condescending smile, adding Jack to my mind’s catalogue of Key West oddities. But looking more closely I soon could recognize something deeper about both car and creator. This automobile was Jack’s Taj Mahal, a monument to his undying devotion to one long dead woman. And everything on that automobile had some meaning about her. The mermaids were beauty and love. The dolphins represented freedom. And above it all, the image of his wife forever riding on the rooftop over Jack’s head.

“We were very close,” Jack told me softly.

How quickly we judge others in our world, judge them without the slimmest strip of knowledge to justify our instant conclusions. In our certainty we laugh at them, ridicule them, avoid them. The truth of those strange characters we sometimes see in passing through our busy day is obvious, afterall. Except that it isn’t. After a conversation of less than 10 minutes, my concepts of both Jack and his car were transformed. And I was forced to learn all over again an old lesson I should have remembered by now: People are rarely what they appear on the surface – and everyone, everyone has an important story that’s all their own.